Tuesday 5 July 2011

Politics offers inspiration for art exhibition

Politics offers inspiration for art exhibition

Tuesday, July 05, 2011
Profile image for Gloucestershire Echo
GIANT compasses, overweight cats and mocking depictions of the country's political leaders.
These are just some of the subjects in Cheltenham artist Richard Wood's latest exhibition, which opened yesterday.
The 25-year-old has opened surrealist display Absurd Food For Thought at the Burlington Gallery in Montpellier.
Including a striking image of David Cameron and Nick Clegg bound together by prison chains, the collection of oil paintings aims to poke fun at the absurdity of the human existence.
And with distorted caricature faces which combine humour and horror, they showcase the artist's unique style.
Richard, a former art student at the University of Gloucestershire, said: "The works show the different problems being faced in society and how we deal with them.
"They stress the importance of acting to ensure a bright future whilst also poking fun at the ridiculousness of it all."
The exhibition will be open until July 16.

Monday 4 July 2011

Interview with Richard Woods in this month's "Cotswold Style Magazine"

In the July 2011 issue of "Cotswold Style Magazine," page 65, there is a full article and interview, titled "one of a kind," with Richard Woods talking about his latest exhibition and what has inspired him to create such a unique style of painting in the cotswolds.....

"ONE OF A KIND....."

'The foundations of my work are also inspired by events in the news. I think it would be tough to find stranger works in The Cotswolds'

Originally from Yorkshire, Artist Richard Woods moved to Cheltenham when he was seven years old. Studying Fine Art Painting and Drawing at The University of Gloucestershire, Richard Graduated in 2008. Since then he's exhibited all around the Cotswolds and further afield including Bristol, Edinburgh and Amsterdam. He even did a day's work experience at Damien Hirst's Studio.

When did you realise this would be your career?
I've drawn and painted ever since I was a toddler and pictures have always fascinated me. I always knew it was what I was going to do. I think I have a kind of excessive determination' which means I dream big and believe in my abilities to achieve at the biggest of challenges.

Who or what inspires you?
The media plays a big part in researching for a project, also P.G Wodehouse books, Scorsese and Hitchcock films. I like to see each painting I do as a film or story with heroes, villains , tragedies and celebrations. The foundations of my work are also inspired by events in the news. I feel I need a cause in order for the work to have a real sense of purpose, By doing works that people can relate to creates a lot of interest which is essential for sales.

What are your favourite things to paint?
My work is figurative inspired by German and Scottish art. I largely work from my imagination and often use my own face as a template to create new characters. I love having a story to paint.

A lot of your work is based on a dark take of a contemporary issue. What attracts you to this?
I find it quite easy to take my work to a dark place. I set myself high standards and get annoyed at my own limitations. The news is always very dark and distressing so using it as subject matter is ideal for my style of painting. I think as an artist to create any great work of art you need to look at the world then decide what you want to say about it before beginning.

What is next for you as an artist?
I currently have two exhibitions on the go, one at The Moreton Gallery, showcasing a number of environmental works until August 12th. Then from 4th - 16th July I have an exhibition at THe Burlington Gallery, of my 'Economic Crisis' works. I sell largely through Scottish galleries, namely The Braewell Galleries, so I hope to progress this whilst also working toward cracking the London art scene. I've also recently been in contact with galleries from New York, Los Angeles and Germany.

If you could paint anywhere in the world where would it be?
I think I would eventually like to live in Edinburgh, such a wonderful city. The lighting is so different there and the skies are so dramatic.

What do The Cotswolds mean to you?
I did a whole series of work back in 2007 based on the flooding of Gloucestershire. THis was to become my degree show, most of the work is now in private collections. It's great to live here. I've used the buildings and landscapes as research for my paintings before and I'll often take a sketchbook into bars and pubs to draw the locals.

Have you had any strange requests for paintings?
I've had commissions to paint animals, which I've always been good at. I think my paintings are so different to what is currently on the market; I think it would be tough to find stranger works in the cotswolds, which is good. I want people to recognise my style as 'Richard Woods.' I like each painting to be one of a kind. I aim for a mixed reaction from the public by doing something they weren't expecting, giving them a breath of fresh air.

c.s

Wednesday 29 June 2011

MORETON GALLERY EXHIBITION UNDERWAY.........running until 12th August

The first of two summer shows by Richard Woods is now underway......
The first sale on the very first day was the largest painting and a landmark piece titled "Man's Rise - Nature's Demise" for £2,500. A great start for the exhibition.

Sunday 29 May 2011

RICHARD WOODS AT THE MORETON GALLERY

Richard Woods at The Moreton Gallery
17th June - 17th August 2011
A group of unique works focussing on Environmental Vandalism to be shown in Moreton in Marsh....
 
17th June - 17th August 2011
The paintings in this show focus on environmental vandalism showing man and nature struggling with sustainability. With increased awareness of our impacts on the environment the works are highly topical. The unique bold figurative style is like no other in the cotswolds and is derived from Scottish and German influences. The paintings work with a 50/50 split between craft and philosophy, this is often lost in contemporary art. Everything in the pictures is there for a reason and a purpose culminating in powerful images that stand out from the crowd. They create discussion and ask people to "wake up" as a global community to the problems we are facing. Each image is one of a kind unlike most gallery artists who repeat the same images over and over, these are one offs.
"I don't view my paintings as just visual images, They are like stories or films with lots going on to keep the viewer interested, slapped with a bold message that i feel strongly about but filled with mystery and puzzles. They compete with everything else in a space or room which I find most satisfying." - Richard Woods


The Moreton Gallery

Queens Head House
High Street
Moreton in Marsh
Gloucestershire
GL56 0LH

Tel: 01608 654438
http://www.themoretongallery.co.uk/

Wednesday 20 April 2011

NEW SHORT STORY by Richard Woods

"THE TRESSPASSER"

The buzzing had BEGUN...I awoke to that all too familiar sound of summer.  I knew it was bound to be a big bugger, it’s just frigging typical. It starts in some inconvenient day in April when the climate has suddenly decided to shift to 100 degrees. You know the day, when people are caught off guard unsure of what the dress code is. Some venture out buttoned up in duffel coats and scarves and complain in shops that the temperature is too high. Others are indecisive and make a compromise, such as a woollen jumper with shorts and sandals. Anyways basically I tend to leave a window open a smidge to attempt to stay cool. However for some reason at precisely 7am every morning of summer a bee gets in my room, I think God has something to do with it....l’m one of those chaps he likes to poke with a stick you see. I haven’t liked bees since I was young. One stung me once on a farm when I was seven. I don’t even like farms always full of wildlife and toilet smells. I do respect the bees’ importance so avoid killing them....I channel that anger in swatting wasps or snapping the odd pencil.  I know what you’re thinking just close the window a tad. Well I’ve tried that even to the point of merely a one centimetre gap.....And they/he/she still gets in. I don’t know whether one bee per year gets assigned this prank of a task or if they do it in shifts? But I do know for sure only the big buggers get the job. I then spend the next half an hour as a matador clutching a whiskey tumbler and piece of card slyly opening the curtain every so often, assessing the situation, and awaiting the Bumble-Charge. Tactics do depend on the mood of the bee. The whiskey tumbler and piece of card are only if the bee gets beyond the first wall of defence, “The curtain.” Frantic buzzing, angry bees, can often require a quick hand to force the window open wider in the hope that this will instigate a release. A stealthy bee can trick you into thinking it’s got bored and left to bother someone else; buzzing for a moment, then as you drift off back to sleep, opens with a 60 second flurry of buzzing. This requires careful peering from behind the curtain, assessing the bee’s positioning before slyly opening the window further at small fractions each time.  Eventually the bee will get onto the outside of the window at which point you quickly close and lock the window and begin breathing again. Who knows what tomorrow will bring, the bees have seen I have a formula they will probably adapt and evolve with time. So I will treat each incident with caution, maybe God will introduce a new beast more worthy of the task. Stay vigilant and always ensure the first line of defence, “The Curtain,” is in operation.


Saturday 9 April 2011

RICHARD WOODS SUMMER SHOW AT THE BURLINGTON GALLERY

RICHARD WOODS, SUMMER SHOW -NEW WORKS
"Absurd Food For Thought...."



The exhibition will showcase a new body of work based on the absurdity of human existence, encompassing our difficulties in the current economic climate both as a society and as individuals. The works will show the different problems being faced and how we deal with them through imaginative images. They will stress the importance that we must act to ensure a bright future whilst also poking fun at the ridiculousness of it all.

4th July - 16th July 2011

The Burlington Gallery
10 The Courtyard
Montpellier Street
Cheltenham
GL50 1SR
http://www.theburlingtongallery.co.uk/


For Further information contact: richard.r.woods@btinternet.com